コミッション・プロジェクトの一つ、永田康祐の作品は、韓国の伝統的な酒のマッコリに、日本酒の技術が使われている、という”不都合な事実”を冷静な視点で、様々な角度から淡々と伝えていた。
一コマ一コマが、小さなカードに印刷されて、それをめくっていくことで映像を感じさせるというアピチャッポン・ウィーラセタクンの作品。
映像が、実は多くの静止画から構成されているという事実を、訪れた人が自分の感覚で実感できるやり方で伝えていた。
角田俊也の作品は、白い壁やスクリーンではなく、ベニヤ板や鉄板などに映像を映していて、何だかとても新鮮だった。
地下の展示室では、平家納経や藤原公任の書などの日本の伝統美術を、現代的な視点で”映像作品”として解釈した展示があり、興味深かった。
マルセル・ブロータスの映像作品では、紙に書いていく文字が、書いても書いても雨で消えてしまう。色々な意味が込められた作品。
今年も、多彩な作品が楽しめた映像祭だった。
The Yebisu International Festival for Art & Alternative Visions is held at this time every year. This year's theme is "documentary."
Documentary footage as a record. Works on the theme of documentary, or the relationship between so-called documents and documentary footage, were lined up.
One of the commissioned projects, Nagata Kosuke's work calmly and dispassionately conveyed the "inconvenient truth" that makgeolli, a traditional Korean alcoholic drink, uses Japanese sake-making techniques, from various angles.
Apichatpong Weerasethakul's work, in which each frame is printed on a small card and the viewer feels the image as they turn the pages.
The fact that a video is actually composed of many still images was conveyed in a way that allowed visitors to feel it with their own senses.
Tsunoda Toshiya's work was somehow very refreshing, as it projected the image not onto a white wall or screen, but onto plywood or steel plates.
In the basement exhibition room, there was an interesting exhibit that interpreted traditional Japanese art such as Heike nokyo and Fujiwara no Kinto's calligraphy from a modern perspective as "video works."
In Marcel Broodthaers' video work, characters are written on paper, but no matter how much they are written, they disappear in the rain. A work filled with various meanings.
This year's film festival was once again filled with a wide variety of enjoyable works.
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